Together, Marino Formenti, Irena Tomasin and Hui Ye – in their first collaboration – conceived an entertaining and abysmal musical performance for the MTTW after-premiere party. Based on the situation and mood of a pop event, they play with the associated clichés. In doing so, they scrutinise and sabotage the idea of the human voice as an intimate and truthful communication, as a very personal, unique „signature“.
Voice, player piano and computer are the main elements of this performance on the border between human and technology, intimate communication and disembodiment, presence and emptiness.

This research is part of the „Spirits in Complexity“ project and was partly funded by the Austrian Science Fund FWF funded [10.55776/AR821].

Hinweis: Eintritt im Eröffnungsticket (GAIA 24. OPERA del MONDO) inkludiert, Einzelbuchung möglich